Condé Nast 
New-age music has practically gone through a complete life cycle since re-entering the cultural conversation a little over a decade ago. First came the reclamatory noise acts of the late 2000s, like Emeralds, James Ferraro, and Oneohtrix Point Never, who twisted new-age tropes into darkly transcendental walls of sound. Then followed Light in the Attic’s popular I Am the Center compilation, which investigated artists like Iasos and Laraaji, who spent years making hypnotic, heavenly works long before new age was considered a punchline.
